lottie sadd

’21

• it doesn’t have to be anything // [voice and electronics]
• I’m made up of more space than I actually take up // [multichannel electroacoustic composition] [world premiere at hcmf// 2021, supported by YSWN, Brighter Sounds, and PRS Foundation]
• to copy the speech without saying it directly // [voice and electronics]
• a language in un/folding hands // [voice and gestural performance/video]

’20

• spelling // [voice and electronics]
• made out of being alone  //  [electroacoustic composition]
• exercise with string-instrument #2  //  [solo guitar and electronics]
• balancing and restraining (piano study #2) //  [solo piano]
• notices (1-10)  //  [text scores]

’19

• tracing connections with Ed Cooper  //  [found objects and text score]
• Illuminations  //  [spoken word with light, sound, paper installation]
• from the same clay  //  [4+ voices and text score]

’18

• Theme and Variations   //   [notated composition with electronics]
• Problem-finding   //   
• In a different light with Bethany Chamberlain & Natasha Joseph   //   [acoustic composition with timber and cloth installation]
• Nad(a)   //   [telematic field recordings: Leeds, Lausanne (SUI), Stockholm (SE), Melbourne (AU)]

’17>

• Room for Thought (Furniture Music)   //   [field recordings with light-projected objects: Leeds]
• 10 Clovis Street   //   [electroacoustic composition] [2015]
• Hello? Can you hear me?   //   [plywood and sheet-metal sound sculpture] [2015]
• Menschen (Sjӕl)   //   [electroacoustic composition] [2015]
• Forringelse   //   [electroacoustic composition with visuals] [2014]