’21
- it doesn’t have to be anything // [voice and electronics]
- I’m made up of more space than I actually take up // [multichannel electroacoustic composition] [world premiere at hcmf// 2021, supported by YSWN, Brighter Sounds, and PRS Foundation]
- to copy the speech without saying it directly // [voice and electronics]
- a language in un/folding hands // [voice and gestural performance/video]
’20
- spelling // [voice and electronics]
- made out of being alone // [electroacoustic composition]
- exercise with string-instrument #2 // [solo guitar and electronics]
- balancing and restraining (piano study #2) // [solo piano]
- notices (1-10) // [text scores]
’19
- tracing connections with Ed Cooper // [found objects and text score]
- Illuminations // [spoken word with light, sound, paper installation]
- from the same clay // [4+ voices and text score]
’18
- Theme and Variations // [notated composition with electronics]
- Problem-finding //
- In a different light with Bethany Chamberlain & Natasha Joseph // [acoustic composition with timber and cloth installation]
- Nad(a) // [telematic field recordings: Leeds, Lausanne (SUI), Stockholm (SE), Melbourne (AU)]
’17>
- Room for Thought (Furniture Music) // [field recordings with light-projected objects: Leeds]
- 10 Clovis Street // [electroacoustic composition] [2015]
- Hello? Can you hear me? // [plywood and sheet-metal sound sculpture] [2015]
- Menschen (Sjӕl) // [electroacoustic composition] [2015]
- Forringelse // [electroacoustic composition with visuals] [2014]
lottie sadd 