’21
  • it doesn’t have to be anything // [voice and electronics]
  • I’m made up of more space than I actually take up // [multichannel electroacoustic composition] [world premiere at hcmf// 2021, supported by YSWN, Brighter Sounds, and PRS Foundation]
  • to copy the speech without saying it directly // [voice and electronics]
  • a language in un/folding hands // [voice and gestural performance/video]
’20
’19
  • tracing connections with Ed Cooper  //  [found objects and text score]
  • Illuminations  //  [spoken word with light, sound, paper installation]
  • from the same clay  //  [4+ voices and text score]
’18
  • Theme and Variations   //   [notated composition with electronics]
  • Problem-finding   //   
  • In a different light with Bethany Chamberlain & Natasha Joseph   //   [acoustic composition with timber and cloth installation]
  • Nad(a)   //   [telematic field recordings: Leeds, Lausanne (SUI), Stockholm (SE), Melbourne (AU)]
’17>
  • Room for Thought (Furniture Music)   //   [field recordings with light-projected objects: Leeds]
  • 10 Clovis Street   //   [electroacoustic composition] [2015]
  • Hello? Can you hear me?   //   [plywood and sheet-metal sound sculpture] [2015]
  • Menschen (Sjӕl)   //   [electroacoustic composition] [2015]
  • Forringelse   //   [electroacoustic composition with visuals] [2014]

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